Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT
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- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
Ben Jonson - translation to γαλλικά
![The Scottish poet [[William Drummond of Hawthornden]] was friend and confidant to Jonson.](https://commons.wikimedia.org/wiki/Special:FilePath/Attributed to Abraham van Blijenberch - William Drummond of Hawthornden, 1585 - 1649. Poet - Google Art Project.jpg?width=200 "The Scottish poet [[William Drummond of Hawthornden]] was friend and confidant to Jonson.")
![folio]] publication that included stage plays](https://commons.wikimedia.org/wiki/Special:FilePath/Jonson 1616 folio Workes title page.jpg?width=200 "folio]] publication that included stage plays")
![Shakespeare]] and Jonson debating at the "[[Mermaid Tavern]]".](https://commons.wikimedia.org/wiki/Special:FilePath/Shakespeare and Jonson at the Mermaid Tavern.jpg?width=200 "Shakespeare]] and Jonson debating at the \"[[Mermaid Tavern]]\".")
![[[Westminster School]] master [[William Camden]] cultivated the artistic genius of Ben Jonson.](https://commons.wikimedia.org/wiki/Special:FilePath/William Camden by Marcus Gheeraerts the Younger.jpg?width=200 "[[Westminster School]] master [[William Camden]] cultivated the artistic genius of Ben Jonson.")
Ορισμός
Βικιπαίδεια
Benjamin Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I."
Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642).
